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.............................................................
Ugh.

(ETA: I've since found that this is an existing style of writing that I wasn't familiar with, so I'm just gonna bitch about the style itself rather than the text being the particular style of anyone in particular)

Read more... )
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Well... okay...
Good time as any to vent my frustrations about 信秀....

There is no more sanity... )
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This drama is slowly driving me nuts, and I'm not even halfway through.

Hideyoshi's interactions with Gou. They're just... AURGH!!!






Oh really? I think this is a bit over-the-top (and unrealistic), but hey... maybe we will finally get an explanation as to why.




....... Yeah, this is one of the reasons why it's uncomfortable. Is he attracted to Gou? He was like "I built Osaka castle, but it's no fun without Gou". Um... Okay... Awkward...
AWKWARD MOMENT ENSUES )



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... I forgot how I heard of this drama, but I started reading the manga adaptation first because I have no patience for sitting still and watching stuff anymore. But then the manga takes forever to update, so I thought I'd just go watch the actual thing.
Not review, just a lot of whining )

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He was a prince of large stature, but of weak and delicate complexion, with a heart and soul that supplied all other wants.

I really, REALLY hate it when websites do not list their sources, because I want to know who the hell described Nobunaga this way.

Because, congratulations, now I have THIS mental image:



Sparkles!

*rips face apart*

<source of manga page>

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To be perfectly honest, I actually saw this a while ago, but never got around to doing it. Then I saw[personal profile] daeva_neesan  did it, so... why not? (sorry dae, I borrowed your translation, hahaha)

01. What is your nickname?

Agas or Renoir
02. How old are you?
I'm legal. Period.
03. Are you a man or a girl?
A derp girl
04. Where are you from?
The beautiful Emerald of the Equator
05. What's your occupation?
Wannabe Game Designer (still a student)
Read more... )
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Somewhat regretting my decision in choosing Nobuo as the person to explore. I need his childhood and youth to build his "now" character, and I can find jack on it. The only thing I ever hear about him is his fail in Iga and some blah about him participating in random battles. I know this gives me leeway to make up his character however I want, but I want to know to satisfy my own curiousity.

Which, you know, led me to realize just how little resource there is about Nobunaga as a family person. I guess that's why we don't get to see father!Nobunaga a lot because there's little to no info on that. You have depictions of him as a husband to Nouhime, as a lord to his bajillions of vassals, as a conqueror, as an enemy, so on and so forth, but not much between him and his sons.

Maybe I just don't know about them because they come in Japanese and I can't read them, but still. There's a whole bunch of curious tidbits that WERE noted, and it just makes me ask more questions.

Like, say, how Nobunaga supposedly went ballistic over the Iga fail, threatened to disown Nobuo, then... completely forgot about it. Nobuo was still part of the "honor ranks" in the 1580 Sagicho festival. And then waited two more years before launching a counterattack to Iga. So... the Iga thing wasn't as big a deal? Supposedly Nobunaga trampled Iga because the fail was a shame to the family, so why wait two years? I don't understand. Given Nobunaga's previous wars, if this was a big deal, he'd have launched the attack much sooner.

I'm curious mostly because in this era father-children relationship is interesting. When the father is a daimyo, he is both a lord and a father to his children. It makes me wonder what kind of love or affection would there be between them, if there were ever any. Especially considering Nobunaga is a rather eccentric person. You know. His sons don't stay at Honno-ji with him when in Kyoto. They stay at Myokaku-ji. Why? When both Nobuo and Nobutada were there, they both stay at Myokaku-ji, so it's not like each man gets his own temple as quarters.
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Rough ideas of, well, an entirely new story that has nothing to do with real history. The setting is still inspired by Sengoku Japan, but it's not Japan per se. No Takeda Shingen, no Uesugi Kenshin, no Ashikaga Shogunate, NOPE. Just an entirely fictional not!Japan. With a good bit of Chinese influence because my main steampunk influence/reference source are Chinese movies. 

Well, actually it's a rather anachronistic setting where it's a fusion between the Edo period and the Muromachi or something. The technology is equivalent to late 1700s to early 1800s in the real world, but the government is still like that of the Ashikaga shogunate, not the Tokugawa. The shogun is weak and the daimyo all over the land do whatever the heck they want. Not!Japan is not closed off to outsiders, but is more strict in regulations regarding the comings and goings of foreigners than it was in the Muromachi era. I'll have to look up the travels of Indians in this time because I know some Japanese monks have gone to India to study the Buddhist sutras or something and I want to know if the Indians returned the favour and visited Japan. Or, if not, I'll just make it happen anyway because I have the leeway of this being a fictional universe and all. 

 And I still think I'm leaning more towards clockpunk than steampunk because what I use is intricate gearwork mechanism that has nothing to do with steam engines, but we'll just see... 

The POV character is a young sailor, around 17-21 years old, who returned home after being out at sea for a few years to be closer to family. This sailor went to look for work in the local area/province (are regions already counted as provinces way back then?) and ends up being caught up in crazy court and political and warfare issues as warlords vie for the position of Shogun. This being an original story, I have even more freedom and less guilt about getting things wrong, LOL. This person's story is kind of loosely inspired by the book The Signore (forgot the author's name), but different because my POV character is a rather active participant in the kerfuffle while the POV character of The Signore to me seems more like a passive observer.

I hesitated to call the POV character of my story a "main character" because I'm pretty sure I'm actually just telling the story of this huge Shogun war, with the POV character being the "camera" through whom the readers experience the story. Even if the POV character is kind of closely involved, the main focus of the story is the war and the most active participants (i.e the 3-4 top contender daimyo and their highest-ranking generals and retainers), not our POV character.



Rough doodle of the POV character and close friends. Bad anatomy 'cause I just want a quick visualization.

Middle: Our POV character. Goes by the name of Jinnai (it's kind of a nickname rather than real name, but eh, spoilers). 
Far right: Korei, Jinnai's younger brother. Works at a tea shop.
Second from right: Ryouen, the daughter of Jinnai's boss (on land, not on the ship).
Second from left: Tadakatsu, a daimyo's disgraced younger brother who has been taken in by another daimyo.
Far left: Chiyo, a governor's daughter.

 Again, not main characters per se. Heck, I don't think people like the younger brother and the governor's daughter are all that essential to the plot. They're just people close to the POV character. I like making characters. Shame on me, I shouldn't make pointless characters, but... Yeah. Will work on cutting down the cast as I write.

Need a little more info on hierarchy here. From what little I find, governors can be minor lords who aren't daimyo. Like, Akechi Mitsuhide was a governor (or at least some kind of ruler) of Hyuuga. I... don't know what that place even is. Is it a city? A village? A region? I don't know how the area divisions work! There's provinces, there's towns, there's villages... Eugh.
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I don't even know if anyone's reading my rambles, but...

This is dedicated solely to my steampunk story projects. The only non-steampunk babble in this are posts that relates to other aspects of my research, like history or cultures or character designs. Because I'm a visual person and I like to draw my characters to get a grasp of what they look like better.
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I've been taking world-building for granted, apparently. At first the idea seemed simple. Steampunk Sengoku Japan. Shouldn't be too hard, no?

WRONG.

griswaldterrastone.deviantart.com/art/How-to-Create-Your-Own-World-344907941


That link gave me much to think about. Not entirely a bad thing, though. Technology shapes a culture. If a nation had high-end steam tech available to them, what would their opinion on others be like?

The realization first hit me when I read a book about Europeans in Japan in the Sengoku era and I saw that it mentioned the straits of Malacca.

The Portuguese entered Japan around the same time they started roughing up South East Asia.

It was a shame that I actually forgot that because it makes me feel so unpatriotic, but I was not very good with history back at school and I only remembered the Dutch colonization because it lasted longer and left a lot of relics and buildings that are still around to this day. I have NO IDEA if the Portuguese ever left anything in places easily-accessible to me and I haven't bothered to check (again, shame on me).

This was the colonization period. This is the time when the Europeans got out to the world and colonize people. Because... they think they're better than you. And fight each other a lot back in Europe, apparently.

Read more... )
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I was reading a little about the "origins of steampunk". Far as I can tell, the original idea of steampunk is a re-imagining of a future (or the present day) if steam technology never became obsolete and was never replaced by diesel or whatever it is that came after steam. And so that means that... steampunk tech in the rennaissance or Sengoku Era Japan technically isn't steampunk. It's... sci-fi/fantasy.

Which means that by shoving steampunk into Sengoku Japan I've already thrown it into a bizarro universe. This means I shouldn't think too much about historical accuracy because steampunk in that era is already major anachronism from the get-go. Rather, I need to focus on reimagining the world to accommodate the steampunk. I mean, steam technology is probably  not even around yet in the time of Sengoku Japan. It's like having computers and credit cards in the Victorian era. It's anachronism and it makes no sense so who cares about the real history? The events WOULD have changed anyway.

So if I ever want to be era-appropriate, it HAS to be clockpunk and not steampunk. Clockwork mechanism has been around for a very long time, after all. The Portuguese actually brought mechanical clocks to Japan and the locals quickly adopted the mechanism to make their own clocks in the Japanese way of telling time (i.e the "hours of the zodiac" instead of regular numbers).

To write steampunk would means I have to rewrite the universe dating from way way back before time. In my history class my professor said that in the ancient world there was "primitive steam technology" existing. This is the only way I could make sense of steampunk existing in the 1500s because otherwise... it's just stupid. This complex steam tech appeared out of the blue... how? From where? Not even Leonardo da Vinci's invention hit that level yet and HE'S considered one of the most advanced guys ever at the time.

I can't say "they just do" because I'm writing about HISTORICAL EVENTS AND PEOPLE. I have to explain anything that is different from real history. Maybe I really should just go do a fictional retelling of history. Inspired by the true events, but set it in a fictional universe. That would save me from a lot of hassle.

In another news, why the flaming heck is there so little stuff to find about Ieyasu? He's the freaking SHOGUN. He was credited by many Western writers as THE guy who unified Japan (he really isn't, but hey). Shouldn't there be MORE info on him? Am I just looking in the wrong places? I mean, come on. I understand there being little about Hideyoshi. The guy is a commoner who came right the frick out of nowhere so nobody knows much about him until he made himself known. What little is known about his past is a hodgepodge of unreliable narrative and pseudo-legends, so the guy's pretty mysterious. I get it. But really. Ieyasu. He's not a nobody. Why am I not finding much about him?

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Just a quick note because lack of info. In his letters Nobunaga would refer to his vassals by their titles and not name (with the exception of HIdeyoshi who apprently doesn't have one). A retainer named Mashiru Yasunaga, for example, was referred to in the letter as "Yamashiro no Kami" (lord of Yamashiro?). Akechi Mitsuhide was referred to as "Koretoo Hyuuga no Kami".

But that was letters to other people. What I want to know is how people address each other. And, of course, how Nobu and son call each other. I remember taking note of a letter from Nobunaga, but I don't remember who is it TO. I thought it was to his son, but I may be remembering wrong because I also took note of a letter from his son Nobutaka and I may have mistakenly remembered Nobunaga's letter as a reply letter. Ekh.

DAMMIT THIS IS NOT IMPORTANT. Even Japanese people wouldn't have issues if I wrote names as names, but now that I've stumbled upon this info, I just WANT TO KNOW!!!!!
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I recently read an article that mentioned that in his lifetime there's a good chance that Nobunaga wasn't referred to as "Nobunaga". The website was under construction, so this bit is still labelled "More coming soon". Well, that was interesting. It brought to mind this movie:

(Nobou no Shiro, The Floating Castle)

In the movie, two secondary characters were called "Tanba" and "Nezumi". Except... that wasn't their names. That's their titles. I forgot what their real names were (been too long since I watched it), but they're really Lord of Tanba and Lord of Nezumi.

Which makes me wonder if that half-finished article is true. I mean, in the movie Hideyoshi was never called "Hideyoshi" either. He was "Regent" (Kanpaku?) or "The Monkey". Even records written by his supposed close friend Maeda Toshiie refers to him as the Taiko, not "HIdeyoshi-sama" or whatnot. Does this mean that Nobunaga would be called "Kazusanosuke-sama" instead of "Nobunaga-sama"? Well, that's great. It sucks because I have no idea what titles other people have! GAH. And I know in fiction I can do whatever, considering many movies would go ahead and call the lords by name and not title, but still. I AM A STICKLER SOMETIMES AND IT BUGS ME WHEN I CANNOT FIND THE NECESSARY INFORMATION!

And here's a movie inspiration for the East Asian steampunk theme:

Rant-o-rama )

Oda Nobuo

Aug. 22nd, 2013 11:52 pm
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(official portrait)

KOEI's illustration for the game Nobunaga's Ambition

Oda Nobuo, Nobunaga's second son, is the "hero" I chose for the Siege of Osaka story. Well, rather, I kind of wanted to explore this guy's life story at some point, but I chose Siege of Osaka as my "test run" of writing his character because I wanted to do the Siege of Osaka anyway.

Read more... )

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Asian steampunk has been something that fascinates me for a while. Like, what would steampunk look like if it ISN'T predominantly Victorian? What if countries like China and Japan and Korea developed THEIR own style of steampunk that still preserves traditional elements? I see a lot of Chinese and Japanese-flavoured steampunk that is just adding top hats and gears and corsets to qipao and kimono. That's just imposing the Victorian style on the local culture. Which is, you know, not really cool.

It isn't as though China and Japan cannot develop steampunk without those European influence. The karakuri is a clockwork mechanism brought to Japan from China. It supposedly has been around since around 2000 BC. China invented the gunpowder and reportedly had weapons with capabilities that amazed even the Europeans (although the Europeans later surpassed them in that area). The Chinese invented the printing press. So it is entirely possible to make a steampunk universe based on China or Japan that doesn't involve TOO MUCH Western influence (because the influence has to be still there due to the trade and whatnot).

That aside, let me talk about the Siege of Osaka. I wanted to explore that epic battle because it's practically The Final Battle of the Sengoku Era. Tokugawa vanquished the Toyotomi and there wasn't any more big battles after that for a good long while. I hear that "officially" it's the Sekigahara that ended the Sengoku era because the power belongs to the Tokugawa after that, but the Siege of Osaka is a majorly epic battle. It's the final showdown between Toyotomi and Tokugawa and the Toyotomi clan pretty much vanished after that, so that is something to talk about.

Cut for rant )
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